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Bergen Painters in Paris 1920

La vie moderne

Et maleri av Torget i Bergen hvor vi ser ned mot der Turistinformasjonen ligger idag. Vi ser mange mennesker og vi ser blått hav og blå himmel. Et dampskip lengst ute ved kaien med røyk fra pipen.

Nils Krantz: Fra Blomstertorget i Bergen, 1932.

When

Where Permanenten

Price 150/100/0 NOK

An intimate exhibition curated by Professor Emeritus Gunnar Danbolt, where we are transported to Paris and Bergen around the beginning of the 1920s.

In the first few decades of the 20th century, the art scene in Bergen was dominated by two artists – Nikolai Astrup and Bernt Tunold. The artists who came after them first followed in their footsteps, but then, around 1920, headed to Paris, the city that dominated the art world at the time.

There, one artist in particular, André Lhôte (1885– 1962), was a magnet for young painters. Seven artists from Bergen studied under Lhôte in Paris, and all of them would later make their mark on the city’s art scene in the interwar years.

This applies in particular to the artist often referred to as the leader of the Bergen School, Nils Krantz. He is therefore the central artist in the exhibition, surrounded by the artistic circle, both women and men, he had around him in interwar Bergen.

Et maleri i lyse toner som viser en bergensgate sett ovenfra med et fjell i bakgrunnen.

Nils Krantz: Olav Kyrresgate, 1918.

Et kubistisk maleri som viser et dampskip som ligger til kai med bergen sett i bakgrunnen, og en arbeider i forgrunnen som jobber med en kran.

Nils Krantz: Fra Bradbenken, 1924.

Et maleri som viser Bergen sett litt ovenfra mot Lysverket-bygget med bergensfjellene fløyen og vidden i bakgrunnen.

Nils Krantz: Fra Bergen, udatert.

A new style

In Lhôte's studio, the Bergen painters were given an introduction to the new cubist style, although in a more moderate version than that pioneered by Pablo Picasso and Georges Braque. Motifs could now be recognisable but in a modern, cubist form.

Also in Paris, where Nils Krantz' good friend and fellow artist Leon Aurdal. They were both strongly influenced by Lhôte, but then their paths diverged. Krantz went back to Bergen and continued to paint in the Lhôte style for the rest of his life, while Aurdal returned to Oslo and gradually changed his style to what became the norm in Norway’s capital, a style inspired by Henri Matisse.

These students of Matisse were primarily concerned with colour and with taking what was referred to as a ‘national approach to colour’. Seen from Oslo, the devotees of Lhôte in Bergen were stuck in a style that would soon be outdated. When they exhibited in Oslo, their work was heavily criticised. But why? Today, the students of both Matisse and Lhôte belong firmly in the past, which means that we can now take a fresh look at art in Bergen in the interwar years.

For this exhibition Kode has made a number of acquisitions to improve the collection related to this important period in Bergen’s history.

Et maleri av Torget i Bergen sett ovenfra hvor vi ser den gamle trikken som går forbi kjøttbasaren.

Ingeborg Zimmer Blaauw: Torget, 1943.

Et maleri av en familie på fire hvor vi ser en ung gutt i vest og skjorte, en liten jente med sløyfe i håret, en mor med skulderlangt hår og forkle og en far med stripete skjorte.

Ansgar Larssen: Familieportrett / Family portrait, udatert.

Et maleri i kubistisk stil hvor vi ser tre dampskip som ligger til kai og noen mennesker som går i forgrunnen. Det er menn i dress og hatt og kvinner i lang kjole.

André Lhote, Havnen i Bordeaux, 1932.

Et maleri av en jente med kort bobfrisyre og pyntebånd i håret og en kjole i firkantede fargefelt. Hun står ved et bord med en vannmugge og det er ulike fargefelt på eksperimentelt vis i bakgrunnen.

Leon Aurdal, Siri, portrettstudie, 1947.

About the exhibition

Curated by Gunnar Danbolt. Project manager is Eli Okkenhaug

Artists represented: André Lhôte, Nils Krantz, Gerda Knudsen, Nikolai Astrup, Bernt Tunold, Leon Aurdal, Ansgar Larssen, Bjarne Lund, Borghild Berge Lexow, Ingeborg Zimmer Blaauw.

At display in the Second Floor of Permanenten